Industrial & Gallery-Grade Print Technology
Mastering Contrast & Photographic Color
From high-opacity white ink on dark substrates to 12-channel micro-pigment fine art reproduction. We provide the complete spectrum of advanced, large-format imaging.
Advantage of having more than 4 colours in the printer
Moving beyond the standard CMYK (Cyan, Magenta, Yellow, Key/Black) process to 6, 8, or even 12-color systems drastically changes what a printer can achieve, especially in commercial, fine art, and large-format applications.
Significantly Expanded Color Gamut
Standard CMYK inherently struggles to reproduce certain regions of the color spectrum—particularly vibrant oranges, bright greens, deep blues, and rich reds.
Adding RGB or Orange/Green: By incorporating dedicated Red, Blue, or Green inks into the mix, the printer’s color space widens massively. This is critical for reproducing highly saturated images, fine art reproductions, and hitting exact, out-of-gamut Pantone spot colors for corporate clients without relying on approximations.
Flawless Gradients and Skin Tones
In a 4-color system, creating light colors (like pale skies or subtle skin tones) requires the printer to place tiny, spaced-out dots of standard Cyan or Magenta. On close inspection, this can look grainy or speckled.
Light Cyan (Lc) and Light Magenta (Lm): Adding these lighter inks allows the printer to lay down solid, continuous tones in highlight areas rather than relying on sparse dot patterns. This results in incredibly smooth gradients, seamless halftones, and highly accurate, photographic-quality skin tones.
Superior Monochrome and D-Max
Printing true, neutral black-and-white images with only CMYK is notoriously difficult; the printer often mixes colors to achieve grey, which can cause color casts (metamerism) that shift depending on the lighting conditions.
Multiple Blacks and Greys: Advanced printers often utilize multiple black inks (like Photo Black for glossy media and Matte Black for cotton rag/canvas) alongside dedicated Grey and Photo Grey inks. This ensures perfectly neutral B&W prints, smooth transitions in the shadows, and a higher D-Max (maximum black density) for richer, deeper contrast.
Significantly Expanded Color Gamut
Standard CMYK inherently struggles to reproduce certain regions of the color spectrum—particularly vibrant oranges, bright greens, deep blues, and rich reds.
Adding RGB or Orange/Green: By incorporating dedicated Red, Blue, or Green inks into the mix, the printer’s color space widens massively. This is critical for reproducing highly saturated images, fine art reproductions, and hitting exact, out-of-gamut Pantone spot colors for corporate clients without relying on approximations.
Structural Opacity
Beyond Standard CMYK
White ink serves as the foundation for premium graphics on non-traditional media,
ensuring your colors never lose their impact on transparent or dark materials.
Unmatched Opacity
Achieve a brilliant, opaque white in a single pass. High-density pigments block light effectively, ensuring zero show-through.
Flawless Transparency
Engineered specifically for clear films and glass wraps. Maintain substrate transparency while delivering punchy, localized graphics.
Recirculating Delivery
Micro-pumps keep heavier white titanium dioxide pigments in constant motion, eliminating clogs and manual maintenance.
Mastering the Layers
Our automated layering handles complex print jobs with mathematical precision, opening up new architectural and retail possibilities.
Underflood (White Base)
Prints white first, followed by CMYK. Essential for printing on colored, dark, or metallic substrates to ensure accurate color.
Overflood (White Topcoat)
Prints CMYK first, followed by white. Perfect for clear window graphics viewed from the outside but applied inside.
Sandwich Mode (CMYK + White + CMYK)
Creates a block-out white layer between two graphics. Ideal for double-sided window clings or Day/Night backlit graphics.
SPOT WHITE (SELECTIVE ACCENT)
Precisely applies white ink to designated graphic elements like logos, text, or specific highlights. Adds impact and raised texture without a full base layer. Ideal for high-end packaging, labels, and special effects.
12-Channel Fine Art Printing
When ultimate color accuracy and archival quality are paramount, our 44-inch large format pigment system delivers flawless gallery-grade reproduction.
12-Color Pigment Ink System
Moving far beyond standard 4-color processes, this system utilizes a 12-ink configuration (including dedicated Red, Blue, and dual Gray inks). This drastically expands the color gamut, delivering deep blacks, smooth gradations, and incredibly accurate skin tones for portraiture and fine art canvas.
- Cyan
- PhotoCyan
- Magenta
- PhotoMagenta
- Yellow
- MBK
- PBK
- Gray
- PhotoGray
- Red
- Blue
- ChromaOptimizer
Chroma Optimizer (Clear Coat)
A dedicated clear-coat layer is applied over printed areas on glossy and semi-glossy papers. This critical element regulates surface reflection, dramatically reducing bronzing (color shifting at different angles) and ensuring a completely uniform gloss finish across the entire photograph.
12-Color Pigment Ink System
Moving far beyond standard 4-color processes, this system utilizes a 12-ink configuration (including dedicated Red, Blue, and dual Gray inks). This drastically expands the color gamut, delivering deep blacks, smooth gradations, and incredibly accurate skin tones for portraiture and fine art canvas.
Uninterrupted Media Handling
Equipped with intelligent dual-roll feeding systems. The printer can automatically switch between varying media types—from heavy artistic canvas to delicate photographic pearl paper—without manual intervention, keeping high-volume gallery runs efficient.